Download Conference Final Program - Columbia University Department of Music

Thinking Music and Sound in Latin America and the Caribbean
Conference Program
February 7, 8:00 pm
Welcoming words and Inaugural Concert
Marcelo Peralta and Marcelo Peralta Trio
Glicker-Milstein Theatre
Lower Level 2, Diana Center, Barnard College
3009 Broadway
February 8
International Affairs Building, Room 1512
118th Street between Amsterdam Avenue and Morningside Drive
Columbia University
9:00 am – 9:30 am
Inscription and General Announcements
9: 30 am – 10:45 am
Mesías Maiguashca
¿Thinking Music, Thinking Through Music? Sobre el Boletín y Elegía de las Mitas
In Spanish
11:00 am – 12:45 pm
Jairo Moreno
Espectros sonoros. latinoamericanismos musicales, lo no-pensado, y lo impensable
Sonorous Specters: Musical Latin-Americanisms, the Unthought, and the Unthinkable
In Spanish
Julio Ramos
Los tiempos caribeños de Amadeo Roldán y Luis Palés Matos
Caribbean Temporalities: Amadeo Roldán and Luis Palés Matos
In Spanish
12:45 pm – 2:00 pm
Lunch
2:00 pm – 3:45 pm
Ana María Ochoa
The Voice in the Nineteenth Century Latin American Archive
La voz en el archivo latinoamericano del siglo diecinueve
In English
Chris Washburne
El Tema del Apollo: Thinking Through Latin American and Caribbean Music in Harlem
El tema del Apollo: Pensar la música latinoamericana y caribeña en Harlem
In English
4:30 pm – 6:00 pm
Dodge Hall, 622
Jose Miguel Wisnik
O pequeno nada rítmico
Rhythmic Little Nothingness
In Portuguese
NOTE THE CHANGE IN LOCATION FOR THIS CONFERENCE: DODGE HALL ROOM 622
February 9
International Affairs Building, Room 1512
Please use entrance on 118TH Street between Amsterdam Avenue and Morningside Drive.
9:00 am – 10:40 am
Cláudia Neiva de Matos
O papel do intérprete vocal na reconfiguração dos gêneros de música popular: o cantor Ciro
Monteiro e o samba dos anos 1940
The Role of The Vocalist in The Reconfiguration of Popular Music Genres: Singer Ciro
Monteiro and 1940s Samba.
In Portuguese
Angel G. Quintero-Rivera
La presencia viva del folklore en la composición popular: la música "jíbara" en la salsa (y el jazz)
The Live Presence of Folklore in Popular Compositions: “Jíbara” Music in Salsa (and Jazz).
In Spanish
11:00 am – 12:40 pm
Marc Hertzman
A Different Kind of Listening: Beyond Music, Identity, and the ‘Poverty Equation’ in Brazil
Una escucha diferente: más allá de la música, la identidad y la “ecuación de la pobreza” en
Brasil.
In English
Licia Fiol-Matta
Vocal Pedagogy: So What if She’s Black?
Pedagogía vocal: Negra, ¿Y qué?
In English
12:40 pm – 2:00 pm
Lunch
2:00 pm – 3:45 pm
Pablo Fessel
Gerardo Gandini's Imaginary Sound Museum. Rereadings of European Music As a Statement
About Argentinean Culture.
El museo sonoro imaginario de Gerardo Gandini. Relecturas de la música europea como
posicionamiento acerca de la cultura argentina.
In English
Juan Calvi
Del Noroeste Argentino a Arizona: ritornelos latinos y desterritorialización en la improvisación
libre de M. Peralta y T. Malaby
From the Argentinean Northwest to Arizona: Latin Ritornellos and Deterritorialization in The
Free Improvisation of M. Peralta and T. Malaby
In Spanish
4:00 pm – 5:00 pm
Ticio Escobar
Arte indígena: imagen, sonido y silencio
Indigenous Art: Image, Sound, Silence
In Spanish
7:30 pm
Concert
Lucía Pulido
Leonard Nimoy Thalia Theatre
Symphony Space
2537 Broadway at 95th Street